|How old am I:||40|
|What is my ethnicity:||Icelandic|
|Color of my eyes:||Big green|
|What I like to drink:||White wine|
Vox: In other interviews, you've said there are aspects of the show that are autobiographical, based on you and your sister's summers away from home as a .
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Vox: There is sibling rivalry in this show, even if the kids aren't fighting each other. And then you discover which ones of those are powerful limitations and which are limiting limitations. That observation, that being in an unfamiliar situation can help you bond to those you're already familiar with was the core of the series for me. Stan is not mean; he's out of touch.
Series creator Alex Hirsch is able to get away with this weird mix of elements because he centers the show so ably on the relationship between Dipper and Mabel, turning the two into one of TV's best sibling pairings. In terms of content or subject, anything goes. Vox: You really are good at building the stories around the show's core relationships.
So whenever he takes himself too seriously, it is her duty to knock him down a peg. I'd just hide and cling to the walls. What all did you draw from your real life?
Tropes in this episode:
I wouldn't do anything. In terms of actual, monster of the week type adventures that happen in the show, most of that is based on what I was obsessed with when I was I had every single dubiously credited book about the paranormal and the unknown, and I would literally lie on the dodgeball blacktop in elementary school, on the ground, facing up at the sky, hoping that a UFO would land, because those big circles seemed like the perfect spot.
He means well. We have an episode where an arcade game comes to life and a Street Fighter -type character comes out, wreaks havoc, and fights Dipper. AH: We're always on a search for what will give us the most stories and what will give us the most fun stories. They're still constantly trying to one-up each other. AH: It's percent based on my own experience growing up.
Dipper is smart, but he's still sweet. We had an episode that we were trying to break where Mabel was throwing a party, and I was thinking, "What would I be like at Dipper's age? We try not to do things that would leave too big a mark or scar on the general townsfolk of Gravity Falls. So I realized I needed to write Dipper as actually more sweet, naive, and positive than I was at his age, in order to make stories happen.
Where do you draw that from, and how central do you think that is to the relationship of Dipper and Mabel? What were some of the things you realized about these characters? I actually feel like the best times I ever had with my twin sister were those summers we spent, where there was no TV and no video games and nothing fun for miles, and so our imaginations grew to fill the void of sensory input and so did our friendship.
In my mind, Dipper is a character who wants to grow up too fast. That tension is one that is explored more in the second season. He takes himself too seriously, and he desperately craves respect from everyone around him, particularly from anyone older than him, because he just doesn't want to be a.
And it's something that I don't think I ever really articulated or put into words.
The show is the story of young twins Dipper and Mabel Pines, who are sent for the summer to live with their great uncle, "Grunkle" Stan, a cranky old man who runs the Mystery Shack, a tourist attraction in the town of Gravity Falls. AVC: In the process of writing a first season, people learn a lot about the characters. Mabel is someone who's Gravity falls wendy bra comfortable being a. He's a big, loud jerk, and if you put too much of that spice in there and have him be too big and too loud and too much of a jerk all of the time, he can become grating and a pain in the neck.
There's a constant tension of Dipper trying to grow up too fast and Mabel trying to subconsciously keep him in that kid space where he should be. I've had multiple people tell me they had similar experiences of having height competitions with their siblings, marking their height on the wall and being driven to madness not being able to catch up.
He wants to fast-forward this part of his life. You just mentioned how some of the writers would say something that would make you realize something you hadn't noticed before. But every episode must have that element, and I think a lot of the most successful moments of the show are the ones where the character relationship, the ones that I thought I was being the most personal and being the most referencing my own specific life, often wound up feeling the most universal.
If Dipper is just relaxing and having a good time, Mabel will not give him any harassment. As kids, everyone remembers their friends in high school, and then they grow up, and friends grow distant, and families can grow distant, too.
Well then, I guess I might try to dance with the girl of my dreams and get shut down. I think the thing I learned about Dipper was that I get a lot better luck writing him when I write him a little more naive than I was at his age.
I think the thing I probably discovered about Mabel over the course of the series is that she's actually really hard to write stories for. Mabel proved to be a little more difficult to do stories about. Alex Hirsch: In terms of the autobiographical nature, I think it's more fair to say it's inspired by events, as opposed to based on.
Me and my sister, as any siblings do, we would squabble and pick on each other and fight and get in arguments, but when we were forced to spend summers away from home with relatives out in the middle of nowhere, we found that we were all we had and we bonded over those summers. That's not a dumb thing to do. I think for each character, I discovered a few different things. We can't always hit that perfect target. She is a ham. Sometimes, that reflection expands it, and other times, you say, "Wait, wait, wait, that's not what it's about," and you have to write out an actual 10 Commandments for how the kids should act around each other.
Stan should not be mean, I think was the main thing. It comes in conflict with the real world when she discovers that she can't always get what she wants, like the perfect boyfriend, for example. Mabel is a lot smarter than anyone gives her credit for, and she knows in her core that Dipper's quest for maturity is, in itself, immature. She wants to be goofy and silly and have fun all the time. To parallel that experience, I want, generally, the magic in the show to emerge and then retreat back into the shadows by the time it could be seen by the general populace.
It is actually smart to screw with people and have fun. Her greatest conflict comes from her fantasy world that she lives in that seems mainly informed by Sweet Valley High and Care Bears. I think, with Mabel, that was the main thing, and that's a thing I always knew.
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Stan's out of touch. She was only taller by a millimeter or so, but the idea that puberty was just not happening for me. I am a stickler for the necessity that every episode is, at its core, about some relationship issue or growing-up issue, that Gravity falls wendy bra then attempt to explore as best we can with the magic of the week.
It's also the sort of town where every paranormal phenomenon you could think of is real, and where little else is as it seems. Because she is generally content to make friends easily, likes herself, and likes her world, she doesn't have a lot that she's at fierce conflict with.
But Gravity Falls is more than just local color and mysterious relatives. AH: The writers know by now and could list, possibly while rolling their eyes, my demands for what needs to be in every half-hour. There's a balance of ingredients every episode has to have. My personal, mental restraints are, the mysteries of the show are supposed to feel like they're primarily seen by the kids, because when you're a kid, with your imagination, you are privy to a hidden world that grown-ups don't seem to appreciate or understand.
How do you make sure to keep that emotional element at the core? When you start a show, it's you making a pilot on your own, making a series bible, pitching it, being the one-man-band, and then when you bring on a team, and they start writing parts of the show, you see a reflection of it. Now, as Gravity Falls prepares to debuts its second season tonight a second season that will eventually see it moving to Disney XDHirsch talked with Vox about finding the right balance between emotion and humor, and why working for Disney is like having a pet brontosaurus.
The show was deed to be infinitely malleable in the types of weird nonsense we can cram in, so we can have as much fun with it as possible. So there's an episode about that where Dipper discovers his sister is a tiny bit taller than him, and he loses his mind trying to find magical remedies to the situation.
Those became the rules: Mabel's not dumb; she's a ham. For Mabel, the main thing I had to consistently remind the writers of is that Mabel is not dumb. This is the infinite checklist of fun things I was hoping would happen when I was a .
In its first season, the Disney Channel's Gravity Falls proved itself part of a new wave of emotionally resonant, surprisingly thoughtful, wickedly funny shows aimed at. This show sort of represents a form of wish fulfillment, where I had many, many summers as a kid and dreamed that these things would happen. Then I thought, okay, what if I was a little less cynical and a little bit more naive and a little bit more positive? In a perfect scenario, that magic is thematically or metaphorically connected to that personal issue.
Even though he does run through town briefly knocking over people's junk, the actual showdown between Dipper and the guy takes place in a hidden area away from the town. The moment he starts getting too big for his britches, she starts acting intentionally dumb and goofy to get him Gravity falls wendy bra take himself less seriously and chill out a little bit.
Dumb little things like, I do remember being in sixth grade and me and my twin sister had always been the exact same height, and I remember the hour, the day, the minute, that my sister was taller than me, and it was infuriating. The main element that I think I drew from my own personal experience was the relationship between Dipper and Mabel. There's this question of, what will growing up do to the Pines twins? He's never taken care of kids before, so he'll inherently say or do the wrong thing, but it comes not out of ill will.
We want it to feel like that glimpse in the corner of your eye that you're always missing. AH: The limits are mostly imposed by me.